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The obscurity of the place prevented Hippolitus from distinguishing the features of the dying man. From the blood which covered him, and from the surrounding circumstances, he appeared to be murdered; and the count had no doubt that the men he beheld were the murderers. The horror of the scene entirely overcame him; he stood rooted to the spot, and saw the assassins rifle the pockets of the dying person, who, in a voice scarcely articulate, but which despair seemed to aid, supplicated for mercy. The ruffians answered him only with execrations, and continued their plunder. His groans and his sufferings served only to aggravate their cruelty. They were proceeding to take from him a miniature picture, which was fastened round his neck, and had been hitherto concealed in his bosom; when by a sudden effort he half raised himself from the ground, and attempted to save it from their hands. The effort availed him nothing; a blow from one of the villains laid the unfortunate man on the floor without motion. The horrid barbarity of the act seized the mind of Hippolitus so entirely, that, forgetful of his own situation, he groaned aloud, and started with an instantaneous design of avenging the deed. The noise he made alarmed the banditti, who looking whence it came, discovered the count through the casement. They instantly quitted their prize, and rushed towards the door of the room. He was now returned to a sense of his danger, and endeavoured to escape to the exterior part of the ruin; but terror bewildered his senses, and he mistook his way. Instead of regaining the arch-way, he perplexed himself with fruitless wanderings, and at length found himself only more deeply involved in the secret recesses of the pile. The menaces, and at length entreaties of the duke, to prevail with his son to abandon his present way of life, were equally ineffectual. Secure in his own power, Riccardo laughed at the first, and was insensible to the latter; and his father was compelled to relinquish the attempt. The duke, however, boldly and passionately accused him of having plundered and secreted a lady and cavalier, his friends, at the same time describing Julia, for whose liberation he offered large rewards. Riccardo denied the fact, which so much exasperated the duke, that he drew his sword with an intention of plunging it in the breast of his son. His arm was arrested by the surrounding banditti, who half unsheathed their swords, and stood suspended in an attitude of menace. The fate of the father now hung upon the voice of the son. Riccardo raised his arm, but instantly dropped it, and turned away. The banditti sheathed their weapons, and stepped back. Surprise and fury sparkled in the eyes of the ruffian, and he turned with a savage desperation upon the count; who, relinquishing Julia, snatched up the sword of the dead ruffian, which lay upon the floor, and defended himself. The combat was furious, but Hippolitus laid his antagonist senseless at his feet. He flew to Julia, who now revived, but who for some time could speak only by her tears. The transitions of various and rapid sensations, which her heart experienced, and the strangely mingled emotions of joy and terror that agitated Hippolitus, can only be understood by experience. He raised her from the floor, and endeavoured to soothe her to composure, when she called wildly upon Ferdinand. At his name the count started, and he instantly remembered the dying cavalier, whose countenance the glooms had concealed from his view. His heart thrilled with secret agony, yet he resolved to withhold his terrible conjectures from Julia, of whom he learned that Ferdinand, with herself, had been taken by banditti in the way from the villa which had offered them so hospitable a reception after the shipwreck. They were on the road to a port whence they designed again to embark for Italy, when this misfortune overtook them. Julia added, that Ferdinand had been immediately separated from her; and that, for some hours, she had been confined in the apartment where Hippolitus found her..

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